Uncategorized

THE HIGHWAYMEN LET A FIFTH VOICE INTO THE STUDIO FOR EXACTLY ONE SONG. In 1985, Johnny Cash, Waylon Jennings, Willie Nelson and Kris Kristofferson recorded “Deportee (Plane Wreck at Los Gatos)” for the first Highwaymen album, and they brought in Johnny Rodriguez to sing the verses in Spanish. He is the only outside voice on any Highwaymen recording. The song was already thirty-seven years old, and it was about a fire over a California canyon. On January 28, 1948, a chartered DC-3 came apart above Los Gatos Canyon west of Coalinga. All 32 aboard died — four American crew and 28 Mexican nationals bound for the deportation center at El Centro, some of them braceros whose contracts had ended. The wire report named the crew. The rest were called deportees. They were buried together at Holy Cross Cemetery in Fresno under a marker with no names on it. Woody Guthrie read that coverage in New York and wrote a poem handing the dead invented names; Martin Hoffman set it to music a decade later. In 2009 a writer named Tim Z. Hernandez went looking for the real ones. By July 2013 he had all 28, several of them misspelled in old records. On Labor Day that year more than 600 people gathered at Holy Cross to unveil a granite memorial carrying every name, its border cut with 32 leaves. The names were read aloud, one by one. A second marker went up near the crash site in 2024: Forevermore We Will Call You By Name.

The Highwaymen and the One Extra Voice That Changed “Deportee” Some songs carry more than melody. They carry memory. “Deportee…

Marty Stuart was only 13 when Lester Flatt heard him play mandolin on the back of a tour bus. By the end of that weekend, one of bluegrass music’s biggest stars had offered the boy a job. It happened over Labor Day weekend in 1972. Stuart had come to Nashville after a friend in Flatt’s band invited him along for the weekend. His parents gave permission, and Lester Flatt agreed to let him ride with the band. Then Flatt heard the teenager play. He put Marty onstage that same weekend, the audience responded, and Flatt made the offer that changed his life. Soon Stuart was traveling with Lester Flatt and the Nashville Grass. At an early Grand Ole Opry appearance, Marty was so small that he later remembered having to stand on his tiptoes to reach the microphone. When the audience kept applauding after his mandolin solo, he thought he had done something wrong. Flatt looked at him and simply told him to do it again. Stuart stayed with Flatt through most of the 1970s, learning the music from one of the men who had helped define bluegrass. He would later play in Johnny Cash’s band before finally building a successful solo career of his own. But the remarkable part came first. Long before country audiences knew Marty Stuart’s name, Lester Flatt heard a 13-year-old boy play mandolin on the back of a bus — and trusted what he heard enough to put him onstage.

Marty Stuart and the Weekend That Changed Everything Long before Marty Stuart became a celebrated name in country music, he…

You Missed