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Golden Oldies

“YOU’LL REMEMBER WHERE YOU WERE WHEN YOU HEAR THIS.” It happened the moment Il Volo stepped into the light. The room got quiet, almost like everyone knew something big was coming. And when the first notes of “Hallelujah” began, it felt less like a song and more like someone opening a door to someplace softer, higher. The orchestra lifted around them, warm and bright, but it was Ignazio’s high notes that changed everything. He pushed them higher than anyone expected — fearless, steady, almost unreal. People weren’t cheering… they were frozen, just listening. When the last note faded, you could feel it — that little shake in your chest that stays long after the music ends.

Il Volo left audiences in awe with their breathtaking live performances of Leonard Cohen’s timeless classic “Hallelujah” during their recent concerts in Germany.

From the very first note, the trio — Piero Barone, Ignazio Boschetto, and Gianluca Ginoble — commanded the stage with a blend of operatic elegance and heartfelt emotion, giving the legendary song a new and unforgettable resonance.

Backed by a full orchestra, the performances highlighted Ignazio Boschetto’s soaring high notes, adding extraordinary power to a piece already cherished around the world. Fans described the concerts as “divine,” “sublime,” and “a true celebration of music,” applauding Il Volo for transforming every phrase into something monumental.

Originally written by Leonard Cohen for his 1984 album Various Positions, “Hallelujah” has been interpreted by numerous artists, including Jeff Buckley, Rufus Wainwright, Jennifer Hudson, Willie Nelson, Susan Boyle, Pentatonix, K.D. Lang, Bob Dylan, Brandi Carlile, Chester Bennington, and more. Wainwright’s rendition gained wider recognition after its inclusion in the 2001 Shrek soundtrack, and following Cohen’s passing in 2016, the song reached number 59 on the Billboard Hot 100.

Il Volo’s interpretation blends operatic grandeur with deep emotion, offering a performance that touched listeners in a powerful and lasting way.

Their German tour was one highlight after another, and the trio is set to continue their momentum with an upcoming performance in Stuttgart — promising the same signature fusion of Italian passion, vocal mastery, and modern artistry.

Fans have even more to look forward to: Il Volo will return to Prague on October 18, 2027, marking their fourth appearance at the O2 Arena. The event is expected to deliver more breathtaking music and unforgettable moments.

According to American Songwriter, Leonard Cohen originally wrote around 80 verses before choosing the final lyrics. When asked about the countless covers of “Hallelujah,” he shared with The Guardian in 2012, “I’m very happy that it’s being sung.”

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Golden Oldies

“Tom Petty and Jeff Lynne thought they were leading the tribute. But in the shadows, Prince was waiting.” The song was While My Guitar Gently Weeps, honoring the quiet Beatle, George Harrison. For the first three minutes, it was a respectful, standard performance. Then, the velvet curtain of the background lifted, and Prince stepped forward. He didn’t just play a solo; he channeled a divine fury that left the other legends on stage staring in disbelief. He made the guitar scream, weep, and sing all at once. But the moment that truly defied logic happened at the very last second. With a final, triumphant smirk, Prince tossed his Telecaster straight up into the air. It never came down. It didn’t hit the floor. It simply… vanished into the void. No crash. No roadie catching it. Just magic. Where did the guitar go? The secret behind rock’s greatest disappearing act is even better than the solo itself…

Golden Oldies

“AFTER 16 YEARS AND OVER 1,000 SHOWS, LAS VEGAS SAID GOODBYE TO CELINE DION.” After 16 unforgettable years, her final night in Las Vegas didn’t feel like an ending. It felt like a pause. Her children walked on stage, and suddenly the room softened. She spoke of René, her voice steady but her eyes giving her away. People cried without trying to hide it. And then, somehow, the night turned light again. Later, she was dancing, laughing, letting go — even sharing the floor with DJ Tiësto like a woman ready to breathe again. No speeches about the future. Just a quiet hint that she’s not done living, or surprising us. Some chapters close gently. Others leave the door slightly open.

Golden Oldies

The room went quiet when Steve Perry stepped into the light beside Neil Diamond. No buildup. No drama. Just one microphone and a lot of history. Neil opened the song like he was remembering something he never forgot. Then Steve came in—clear, gentle, almost careful. Not showing off. Just listening. They looked at each other once. That was enough. You could feel the respect. The trust. The years. People didn’t cheer right away. Some wiped their eyes. Some just stood still. It didn’t feel like a performance. It felt like two old friends telling the truth out loud.

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Golden Oldies

“Tom Petty and Jeff Lynne thought they were leading the tribute. But in the shadows, Prince was waiting.” The song was While My Guitar Gently Weeps, honoring the quiet Beatle, George Harrison. For the first three minutes, it was a respectful, standard performance. Then, the velvet curtain of the background lifted, and Prince stepped forward. He didn’t just play a solo; he channeled a divine fury that left the other legends on stage staring in disbelief. He made the guitar scream, weep, and sing all at once. But the moment that truly defied logic happened at the very last second. With a final, triumphant smirk, Prince tossed his Telecaster straight up into the air. It never came down. It didn’t hit the floor. It simply… vanished into the void. No crash. No roadie catching it. Just magic. Where did the guitar go? The secret behind rock’s greatest disappearing act is even better than the solo itself…

Golden Oldies

“AFTER 16 YEARS AND OVER 1,000 SHOWS, LAS VEGAS SAID GOODBYE TO CELINE DION.” After 16 unforgettable years, her final night in Las Vegas didn’t feel like an ending. It felt like a pause. Her children walked on stage, and suddenly the room softened. She spoke of René, her voice steady but her eyes giving her away. People cried without trying to hide it. And then, somehow, the night turned light again. Later, she was dancing, laughing, letting go — even sharing the floor with DJ Tiësto like a woman ready to breathe again. No speeches about the future. Just a quiet hint that she’s not done living, or surprising us. Some chapters close gently. Others leave the door slightly open.

Golden Oldies

The room went quiet when Steve Perry stepped into the light beside Neil Diamond. No buildup. No drama. Just one microphone and a lot of history. Neil opened the song like he was remembering something he never forgot. Then Steve came in—clear, gentle, almost careful. Not showing off. Just listening. They looked at each other once. That was enough. You could feel the respect. The trust. The years. People didn’t cheer right away. Some wiped their eyes. Some just stood still. It didn’t feel like a performance. It felt like two old friends telling the truth out loud.

Golden Oldies

“20,000 PEOPLE WENT SILENT — THEN RINGO WALKED OUT.” No one at the The O2 Arena expected it. The lights were still warm from the final notes when Paul smiled and paused. Then he said it. Slow. Almost playful. “Bring to the stage… the mighty.” And suddenly, Ringo Starr rolled out his drum kit. For a second, 20,000 people forgot how to cheer. Some cried. Some just stared. Paul McCartney leaned back like a kid again. They tore into “Sgt. Pepper,” then pushed harder with “Helter Skelter.” Two old friends. Two surviving The Beatles. One night that didn’t feel like a concert — it felt like goodbye, and thank you, all at once.